|
Melodyne3 offers a new algorithm that allows any type of audio
material to profit from Melodyne’s unique editing functions and
sound quality; in other words, Melodyne is no longer limited to
the editing of melodies but can handle homophonic and polyphonic
textures. Melodyne3 also offers fully automatic analysis of the
audio material, powerful macros for the correction of intonation
and timing errors, and numerous improvements in the user
interface. Melodyne3 is not only capable of doing far more than
its predecessors; it is also faster and easier to use.
Recording artists and
engineers have known about Melodyne for years. Until now,
though, it was only monophonic vocal and instrumental parts that
could benefit from Melodyne’s much-admired editing algorithms:
algorithms capable of everything from minor corrections of
intonation to extreme pitch shifting and from the subtle
modification of grooves to drastic time stretching. With Version
3, Melodyne is no longer limited to melodies but offers a unique
algorithm that can perform high quality time stretching on full
chords and complex audio signals; so now harmonic material (such
as rhythm guitar or piano parts) — whether homophonic or
polyphonic — can be transposed (without altering the tempo),
slowed down or sped up (without altering the pitch) and even
quantized. What’s more, all this can be done in real time with
the sound quality for which Melodyne is famous.
Melodyne3 employs the same
audio analysis engine as Melodyne uno: the process of note
recognition is therefore fully automatic and the results more
reliable and delivered more swiftly than heretofore. That’s one
way in which Melodyne3 makes working with audio files easier.
Others are the Correct Pitch and Quantize Time macros, which
allow the most common flaws in vocal and instrumental recordings
to be removed with a few mouse clicks.
See all other Celemony products at
www.celemony.com
|
