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ST4 - UNIVERSAL QUAD MIC SUPPORT   The ST4, consists of four sliding microphone mounts with 5/8"male thread adapters and one articulated 5/8" female thread support that fits a mic stand, all sliding on a 30 cm (12") long hexagonal rod. This allows the mounting of four mics on the same stand with variable distance and angulations between them. Due to SABRA’s modular system, the 12”long rod can be used to support some extremely long mic (SHOTGUNN), connecting the SSM-1/ANC spare rings.	ST2 - UNIVERSAL DOUBLE SUPPORT WITH 3/8” AND 5/8” THREADS Could be called Multifunction T-Bar! As It's a MODULAR and totally adjustable product. Features: · Variable distance and angle between mics (towers’ movement). · 2 Thread adapters: 3/8" (European standard) and/or 5/8" 27 threads/inch (universal standard) each, fixed on two sliding towers, respectively. · Relative angles between the towers are totally variable. · Central elbow with horizontal movement for the adjustment of gravity center. · Central elbow with 360° of movement and an efficient locking system. · Can be connected to the top of a boom stand with any relative angle. In particular horizontal and vertical configuration (XY format) and, vertical configuration (Bloom Line format).
SSM-1: UNIVERSAL SHOCK MOUNT FOR MICROPHONES    In audio signal capturing by microphones, there is a leak of unwanted mechanical noises through the microphone stand, caused by vibrations on stage, by the kick drum, by low frequencies of the amplifier, by the artist's choreography on stage, etc. One of the conventional solutions is to adopt electronic recourses, such as noise gate reduction, re-equalization (shut down of low frequencies), etc. Thus, no doubt, we are interfering with the signal's dynamics, reducing our system's head room, consequently harming the signal's quality and naturalness.	SSM-1 w/AKG C-114
SMS 5.1 - UNIVERSAL SURROUND MICROPHONE SUPPORT 360 DEGREES OF REAL AMBIENCE CAPTURING AT THE REACH OF YOUR MICROPHONES. · A new and revolutionary conception of natural 5.1 surround capturing, allows simultaneous positioning of five directional mics. In five different directions in a 360 degrees spectrum with full angular capturing adjustment.  · The SMS-5.1 consists of a disc to which five hexagonal, 30 cm long, arms are attached radially, with adjustable angulations. At the external end of each arm a SSM-1 Universal Shock Mount, is mounted, which can be vertically adjusted, allowing the placement of any microphone. The SMS-5.1 can be placed either on a conventional microphone stand or hung through a THREE-PENDULUM, and can be balanced.	SABRA’S MAGIC CLAMP   · The SMC comes with a L format hexagonal aluminum bar with adjustable 5/8” screw thread connections, mounted on a steel claw, attachable to tubular systems from ¼” to 1” and to rectangular rods with ¼” thickness up to 1 ¼” (like a drum hoop). · The SMC’s attachment is so efficient and strong, making it a powerful tool to hold any size of microphone. · The SMC is of simple intuitive and friendly handling. · Easily attached to the percussion instruments hardware, allowing a great variety of adjustments. · The most attractive feature is that the arm adjustment and fixing is done, manipulating a single screw.
	ST-POP: THE TWO IN ONE - POSITIONING AND PROTECTING KIT FOR MICS. An excellent and inexpensive combination between the ST2 – stereo bar and the UNI-POP – The double faced pop filter in a unique package, aiming the simultaneous mounting of both – MIC and POP FILTER on the same boom stand.

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